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A conversation with Stacey King, founder of Untitled Works interior design studio and Rebecca Yazbek, founder and CEO of edition Hospitality - the creative minds behind Privé.

With more than 15 years of experience across projects in Australia and internationally, Stacey was the lead project manager behind Reine & La Rue. For Privé, she continues that vision — reimagined in a setting of greater intimacy and discretion.

We sat down with Stacey and Rebecca, Founder & CEO of edition Hospitality, to discuss the philosophy, references, and vision shaping the space.

 


 

What is the vision behind Privé, and what kind of experience do you want guests to have the moment they enter the space?

Stacey King: The intention is to have guests feel an immediate sense of transition. Privé feels quieter, more intimate, and immersive. It’s designed to feel like a hidden world within the building.

Rebecca Yazbek: We want dropped shoulders. We want intimacy and connection. And fun — always fun, and never too serious.

 

There is a strong sense of history within Privé, just as there is at Reine & La Rue. How did you reference the past while ensuring the space still feels timeless and contemporary? More specifically, how did the history of the Safe Deposit Building, Reine & La Rue, and the wider precinct influence the creative direction?

Stacey King: Our approach to heritage has never been about recreation. We’re interested in understanding the spirit of a place and then interpreting it through a contemporary lens.

Rebecca Yazbek: History is the starting point — a frame of reference that anchors the interiors and the overall project. For guests to now enter and enjoy the Safe Deposit Building, rather than simply driving or walking past it, will be genuinely thrilling.

 

What was the collaboration process like, and at what point did it feel like Privé had truly found its identity?

Stacey King: The project found its identity when we stopped thinking about it as a collection of private dining rooms and started thinking about it as a spatial counterpart to Reine. The idea of the antechamber became a fitting and useful lens through which every decision could be tested. Once that narrative emerged, the planning, materiality, and atmosphere all became much clearer.

Rebecca Yazbek: The idea of Reine & La Rue needing a private dining room was always present to me as a restaurateur. To be able to offer that alternative two years after opening now feels like the project has come full circle. There was never another name or space — the façade was too good to pass up. We just had to be patient. Stacey was always going to be the right person to fully express the Reine & La Rue world, and now Privé.

 

How did your approach to designing Privé differ from Reine & La Rue, and what unique opportunities or challenges did it present?

Stacey King: With Reine, the architecture is inherently dramatic. The challenge was how to celebrate that grandeur while making it hospitable. Privé presented the opposite challenge. Here, we were working with intimacy rather than scale. The focus shifted from creating a singular room; we became interested in thresholds, atmosphere, texture, and enclosure.

What existing architectural elements did you feel were important to preserve or highlight, and why?

Stacey King: With much of the original interior detailing no longer intact, the building’s Gothic façade became our primary heritage reference. We looked to its rich patterns and decorative language to inform bespoke joinery and metalwork details throughout Privé, creating a contemporary interpretation of the building’s history that complements Reine’s cathedral-like grandeur while establishing its own identity.

Rebecca Yazbek: Nothing faux — we wanted to reference and celebrate the history, the techniques, and the details. And when you’re in the dining room, look up. The ceiling is such a highlight for me.

 

How did you approach selecting materials, textures, and finishes for the space? Are there any custom-made or locally crafted elements or makers you’d like to highlight?

Stacey King: Materiality became one of the primary tools for creating intimacy. We focused on rich, tactile materials that feel enduring rather than decorative. Natural stone, timber, metal, and handcrafted elements create warmth and give depth to the space. Many elements throughout were custom-designed specifically for Privé and realised in collaboration with local craftspeople and makers — joinery, metalwork, and marble. Key pieces include a custom Crossed Pendant in brass and hand-blown glass by Volker Haug (Melbourne); a Moon Perigee Pendant in fibreglass by Amy Vidler (Melbourne); a Single V Tier Sconce in amber brown glaze by Sarah Nedovic (Melbourne); a DEMOISELLE Pendant in ceramic and hand-pleated silk by Elsa Foulon (Paris); and a handmade aged mirror by Luke Price of Outlines (Melbourne).

 

What do you hope guests notice immediately upon entering, and what details do you hope reveal themselves over time?

Stacey King: Immediately, the atmosphere. And over time, the finer details — the craftsmanship, the materiality, and the subtle dialogue between old and new.

Rebecca Yazbek: There is a lot of love, craftsmanship, and detail in this space. But more than anything, I hope guests feel special. That they’re in for a good time. And a great martini.

 

What aspect of Privé are you most proud of?

Stacey King: I’m proud that Privé feels like a natural continuation of the Reine story while possessing a completely distinct identity. It expands the experience without repeating it. The project is defined less by individual objects or gestures and more by how the spaces make people feel.

Rebecca Yazbek: There is a history to this part of the city, to this building, that — just as with Reine — is being given a new lease on life. For people to enjoy and experience the space, and for it to become part of Melbourne’s story again.

 

What do you hope Privé represents within Melbourne’s hospitality landscape?

Rebecca Yazbek: Privé is the private dining room we all picture in our minds when planning a lovely, elegant dinner party. We want it to become the space where celebrations come to life on a more intimate scale.

 

How has your working relationship evolved across these two projects, and what does that continuity allow?

Rebecca Yazbek: Reine & La Rue was our first project together, and that was five years ago now. What that time builds is trust — and trust is everything in a creative relationship. Stacey has a rare ability to maintain the integrity of a brief while also pushing it somewhere better. By the time we came to Privé, there was a shorthand. We didn’t need to over-explain the mood or the intention — she already understood the world we were building. We’re now working together on a project in Sydney, which feels like a natural next chapter. Each project deepens the language between us.

Stacey King: Reine & La Rue was the project that taught me how Rebecca and Al think — what they notice, what they won’t compromise on. By the time we came to Privé, the trust was already there, allowing us to spend less time explaining ideas and more time refining them. Their curiosity and ambition make the collaboration incredibly rewarding. They genuinely champion local designers, makers and craftspeople, and bring an openness to every project. Beginning our third project together in Sydney feels like a natural continuation of that conversation.